0
Skip to Content
AphroChic
APHROCHIC HOME
New Arrivals
Furniture
Decor
Fine Art
Tabletop & Kitchen
Apparel & Accessories
Magazine
Books
SERVICES
Design Consultations
Wedding & Gift Registry
Trade Program
MAGAZINE
LIFESTYLE & NEWS
Feature Articles
Interior Design
Artists & Artisans
Fashion
Travel
Food
Civics
Sounds
Culture
Hot Topic
Wellness
Reference
Entertaining
Black Family Home
APHROCHICTV
Original Series and Films
An Evening With AphroChic
Sneak Peek
Celebrations
Baltimore Speaks
THE LISTENING ROOM
SEARCH
AphroChic
APHROCHIC HOME
New Arrivals
Furniture
Decor
Fine Art
Tabletop & Kitchen
Apparel & Accessories
Magazine
Books
SERVICES
Design Consultations
Wedding & Gift Registry
Trade Program
MAGAZINE
LIFESTYLE & NEWS
Feature Articles
Interior Design
Artists & Artisans
Fashion
Travel
Food
Civics
Sounds
Culture
Hot Topic
Wellness
Reference
Entertaining
Black Family Home
APHROCHICTV
Original Series and Films
An Evening With AphroChic
Sneak Peek
Celebrations
Baltimore Speaks
THE LISTENING ROOM
SEARCH
Folder: APHROCHIC HOME
Back
New Arrivals
Furniture
Decor
Fine Art
Tabletop & Kitchen
Apparel & Accessories
Magazine
Books
Folder: SERVICES
Back
Design Consultations
Wedding & Gift Registry
Trade Program
MAGAZINE
Folder: LIFESTYLE & NEWS
Back
Feature Articles
Interior Design
Artists & Artisans
Fashion
Travel
Food
Civics
Sounds
Culture
Hot Topic
Wellness
Reference
Entertaining
Black Family Home
Folder: APHROCHICTV
Back
Original Series and Films
An Evening With AphroChic
Sneak Peek
Celebrations
Baltimore Speaks
THE LISTENING ROOM
SEARCH
Furniture Elizabeth Accent Chair
Elizabeth Accent Chair_lifestyle 1.jpg Image 1 of 5
Elizabeth Accent Chair_lifestyle 1.jpg
Elizabeth Accent Chair_detail 3.jpg Image 2 of 5
Elizabeth Accent Chair_detail 3.jpg
Elizabeth Accent Chair_detail 1.jpg Image 3 of 5
Elizabeth Accent Chair_detail 1.jpg
Elizabeth Accent Chair_thumbnail 1.jpg Image 4 of 5
Elizabeth Accent Chair_thumbnail 1.jpg
Elizabeth Accent Chair_thumbnail 3.jpg Image 5 of 5
Elizabeth Accent Chair_thumbnail 3.jpg
Elizabeth Accent Chair_lifestyle 1.jpg
Elizabeth Accent Chair_detail 3.jpg
Elizabeth Accent Chair_detail 1.jpg
Elizabeth Accent Chair_thumbnail 1.jpg
Elizabeth Accent Chair_thumbnail 3.jpg

Elizabeth Accent Chair

$900.00

Details

Wide, deep and covered in a soft performance velvet, our Elizabeth Accent Chair is the chair you can’t wait to sit in at the end of a long day. Sturdy, metal legs ensure a long life and many comfortable hours spent lounging. At the same time, its sleek lines and architectural shape lend a modern aesthetic to a chair that works perfectly alone or in pairs, as extra seating for a living room, or an extra quiet spot in your bedroom. Give yourself the gift of comfort and beauty with our Elizabeth Accent Chair.

Editors' Note

Named for educator, architect and tireless advocate Elizabeth Carter Brooks, her mother, Martha Webb, had at one time been enslaved by John Tyler, 10th president of the United States, and is reported to have been an active part of the underground railroad. In 1867, Brooks was born in New Bedford, Massachusetts where after graduating from New Bedford High School she attended the Swain Free School of Design. At Swain she pursued studies in architecture and design, which would serve her well throughout the rest of her life. She would go on to attend the Harrington Normal School for teachers, becoming its first African American graduate. Brook's career as an educator began in the 1890s with a position at the Howard Colored Orphan Asylum in Crown Heights, Brooklyn. In 1901, she became the first Black woman to be hired as a teacher in New Bedford, taking a position at the Taylor School which had recently opened in 1898. In addition to teaching, Brooks was deeply involved in community organizing everywhere she went, with a focus on the achievement and advancement of Black women. She organized numerous girl's clubs while working in Brooklyn, in addition to becoming the first recording secretary of the National Federation of Afro-American Women, an outgrowth of the First National Conference of the Colored Women of America held in 1895 in Boston. Moreover, Brooks was part of the forming of the Northeastern Federation of Colored Women’s Clubs (NFCWC) before serving as the fourth president of the National Association of Colored Women (NACW) from 1908 to 1912. Among her efforts, Brooks moved to establish the NACW as a leader of boycotts to dismantle systemic inequality. She also attempted to garner membership for NFCWC with the National American Woman Suffrage Association. The latter failed however, as the national movement to secure American women's right to vote refused Black women the right to join. Undeterred, Brooks would go on to join the NAACP shortly after its inception, eventually leading both the organization's local and regional branches in New Bedford. She also led hundreds in an anti-lynching campaign, advocating for the passing of the Dyer Anti-Lynching Bill. Elizabeth's relentless pursuit of social justice led as well to her parallel careers in real estate development and architecture. In 1897, she opened New Bedford’s first home for the elderly. Called the New Bedford Home for the Aged, Brooks designed the Chancery street facility and served as its first president upon its opening in 1908. Perhaps as a result of this effort, she later came to the attention of the YMCA, which in response to WWI created the War Work Council shortly after the conflict began. The group approached Brooks to plan and build a facility for "colored" women in Washington D.C. which would become the Phillis Wheatley YWCA. The building would become pivotal to the cause of Black history as the place where Carter G. Woodson would take all his meals while working at his home, the headquarters of his publications, The Journal of Negro History and The Negro History Bulletin, as well as the Association for the Study of Negro Life and History — the birthplace of Black History Week. Elizabeth Carter Brooks continued to work as an organizer, developer and educator until her passing in 1951. Her legacy is celebrated in the advances made by Black Americans as the result of the many organizations she led and movements in which she participated, in the buildings that she built, and the causes for which she built them.

Quantity:
Add To Cart

Details

Wide, deep and covered in a soft performance velvet, our Elizabeth Accent Chair is the chair you can’t wait to sit in at the end of a long day. Sturdy, metal legs ensure a long life and many comfortable hours spent lounging. At the same time, its sleek lines and architectural shape lend a modern aesthetic to a chair that works perfectly alone or in pairs, as extra seating for a living room, or an extra quiet spot in your bedroom. Give yourself the gift of comfort and beauty with our Elizabeth Accent Chair.

Editors' Note

Named for educator, architect and tireless advocate Elizabeth Carter Brooks, her mother, Martha Webb, had at one time been enslaved by John Tyler, 10th president of the United States, and is reported to have been an active part of the underground railroad. In 1867, Brooks was born in New Bedford, Massachusetts where after graduating from New Bedford High School she attended the Swain Free School of Design. At Swain she pursued studies in architecture and design, which would serve her well throughout the rest of her life. She would go on to attend the Harrington Normal School for teachers, becoming its first African American graduate. Brook's career as an educator began in the 1890s with a position at the Howard Colored Orphan Asylum in Crown Heights, Brooklyn. In 1901, she became the first Black woman to be hired as a teacher in New Bedford, taking a position at the Taylor School which had recently opened in 1898. In addition to teaching, Brooks was deeply involved in community organizing everywhere she went, with a focus on the achievement and advancement of Black women. She organized numerous girl's clubs while working in Brooklyn, in addition to becoming the first recording secretary of the National Federation of Afro-American Women, an outgrowth of the First National Conference of the Colored Women of America held in 1895 in Boston. Moreover, Brooks was part of the forming of the Northeastern Federation of Colored Women’s Clubs (NFCWC) before serving as the fourth president of the National Association of Colored Women (NACW) from 1908 to 1912. Among her efforts, Brooks moved to establish the NACW as a leader of boycotts to dismantle systemic inequality. She also attempted to garner membership for NFCWC with the National American Woman Suffrage Association. The latter failed however, as the national movement to secure American women's right to vote refused Black women the right to join. Undeterred, Brooks would go on to join the NAACP shortly after its inception, eventually leading both the organization's local and regional branches in New Bedford. She also led hundreds in an anti-lynching campaign, advocating for the passing of the Dyer Anti-Lynching Bill. Elizabeth's relentless pursuit of social justice led as well to her parallel careers in real estate development and architecture. In 1897, she opened New Bedford’s first home for the elderly. Called the New Bedford Home for the Aged, Brooks designed the Chancery street facility and served as its first president upon its opening in 1908. Perhaps as a result of this effort, she later came to the attention of the YMCA, which in response to WWI created the War Work Council shortly after the conflict began. The group approached Brooks to plan and build a facility for "colored" women in Washington D.C. which would become the Phillis Wheatley YWCA. The building would become pivotal to the cause of Black history as the place where Carter G. Woodson would take all his meals while working at his home, the headquarters of his publications, The Journal of Negro History and The Negro History Bulletin, as well as the Association for the Study of Negro Life and History — the birthplace of Black History Week. Elizabeth Carter Brooks continued to work as an organizer, developer and educator until her passing in 1951. Her legacy is celebrated in the advances made by Black Americans as the result of the many organizations she led and movements in which she participated, in the buildings that she built, and the causes for which she built them.

Details

Wide, deep and covered in a soft performance velvet, our Elizabeth Accent Chair is the chair you can’t wait to sit in at the end of a long day. Sturdy, metal legs ensure a long life and many comfortable hours spent lounging. At the same time, its sleek lines and architectural shape lend a modern aesthetic to a chair that works perfectly alone or in pairs, as extra seating for a living room, or an extra quiet spot in your bedroom. Give yourself the gift of comfort and beauty with our Elizabeth Accent Chair.

Editors' Note

Named for educator, architect and tireless advocate Elizabeth Carter Brooks, her mother, Martha Webb, had at one time been enslaved by John Tyler, 10th president of the United States, and is reported to have been an active part of the underground railroad. In 1867, Brooks was born in New Bedford, Massachusetts where after graduating from New Bedford High School she attended the Swain Free School of Design. At Swain she pursued studies in architecture and design, which would serve her well throughout the rest of her life. She would go on to attend the Harrington Normal School for teachers, becoming its first African American graduate. Brook's career as an educator began in the 1890s with a position at the Howard Colored Orphan Asylum in Crown Heights, Brooklyn. In 1901, she became the first Black woman to be hired as a teacher in New Bedford, taking a position at the Taylor School which had recently opened in 1898. In addition to teaching, Brooks was deeply involved in community organizing everywhere she went, with a focus on the achievement and advancement of Black women. She organized numerous girl's clubs while working in Brooklyn, in addition to becoming the first recording secretary of the National Federation of Afro-American Women, an outgrowth of the First National Conference of the Colored Women of America held in 1895 in Boston. Moreover, Brooks was part of the forming of the Northeastern Federation of Colored Women’s Clubs (NFCWC) before serving as the fourth president of the National Association of Colored Women (NACW) from 1908 to 1912. Among her efforts, Brooks moved to establish the NACW as a leader of boycotts to dismantle systemic inequality. She also attempted to garner membership for NFCWC with the National American Woman Suffrage Association. The latter failed however, as the national movement to secure American women's right to vote refused Black women the right to join. Undeterred, Brooks would go on to join the NAACP shortly after its inception, eventually leading both the organization's local and regional branches in New Bedford. She also led hundreds in an anti-lynching campaign, advocating for the passing of the Dyer Anti-Lynching Bill. Elizabeth's relentless pursuit of social justice led as well to her parallel careers in real estate development and architecture. In 1897, she opened New Bedford’s first home for the elderly. Called the New Bedford Home for the Aged, Brooks designed the Chancery street facility and served as its first president upon its opening in 1908. Perhaps as a result of this effort, she later came to the attention of the YMCA, which in response to WWI created the War Work Council shortly after the conflict began. The group approached Brooks to plan and build a facility for "colored" women in Washington D.C. which would become the Phillis Wheatley YWCA. The building would become pivotal to the cause of Black history as the place where Carter G. Woodson would take all his meals while working at his home, the headquarters of his publications, The Journal of Negro History and The Negro History Bulletin, as well as the Association for the Study of Negro Life and History — the birthplace of Black History Week. Elizabeth Carter Brooks continued to work as an organizer, developer and educator until her passing in 1951. Her legacy is celebrated in the advances made by Black Americans as the result of the many organizations she led and movements in which she participated, in the buildings that she built, and the causes for which she built them.

 

Additional Details

Single accent chair

Color: Beige

Material: Velvet, Metal

Dimensions: 36.61" x 3.46" x 28.35"

Weight: 50.6 lbs

Made to order

Ships within the continental US in 3-4 weeks

ⓘ Shipping and returns policy

You Might Also Like

Batik Gold Lounge Chair Batik Velour Lounge Chair_gold_side.png Batik Velour Lounge Chair_gold_back.png
Batik Gold Lounge Chair
$1,150.00
Crown Cream Velour Lounge Chair Crown Monarch Velour Lounge Chair_3.png
Crown Cream Velour Lounge Chair
$1,150.00
Garrott Pink Velvet Dining Chair Set of 2 Garrott Pink Velvet Dining Chair 1.jpg Garrott Pink Velvet Dining Chair 6.jpg Garrott Pink Velvet Dining Chair 5.jpg Garrott Pink Velvet Dining Chair 7.jpg garrott pink dining chair 1.jpg garrott pink dining chair 2.jpg garrott pink dining chair 3.jpg garrott pink dining chair 4.jpg garrott pink dining chair 5.jpg garrott pink dining chair 6.jpg garrott pink dining chair 7.jpg
Garrott Pink Velvet Dining Chair Set of 2
$1,200.00
Ewe Accent Chair ewe accent chair straight.jpg ewe accent chair side.jpg ewe accent chair back.jpg ewe accent chair detail.jpg
Ewe Accent Chair
$950.00
Amaza Moss Arm Chair Amaza Moss Arm Chair_lifestyle 3.jpg Amaza Moss Arm Chair_thumbnail 2.jpg Amaza Moss Arm Chair_detail 2.jpg Amaza Moss Arm Chair_detail 1.jpg
Amaza Moss Arm Chair
$1,250.00

Thank you!

JOIN OUR MAILING LIST

Sign up with your email address to receive news and updates

JOIN

ABOUT

SITE POLICIES

CUSTOMER SUPPORT

CONTACT

APHROCHIC

@Copyright 2025 AphroChic Media. All Rights Reserved.